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KIAR CULTUREX Residency
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Art as a Bridge Between India and Globe
KIAR 

CULTURAL EXCHNAGE RESIDENCY

India has shared ideas, knowledge, art and culture with the world for centuries, creating connections that transcend borders and generations.

Today, it is time to revive and deepen these global relationships through the universal language of art.

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Indo-Europe
Indo-America
Buddha Circle
1000055047
20221002_163210

KIAR CULTuREX RESIDENCY

India : A Civilisation of ideas

India has shaped global civilisation through ideas that continue to influence the world—from zero and mathematics to astronomy, Ayurveda and yoga; from ancient  languages like Sanskrit, with knowledge like VEDAS, literature to music, visual art, architecture and systems of knowledge. Indian innovations in mathematics and numerical thought helped transform science and commerce, while Indian philosophical and cultural traditions travelled across Asia and beyond. Its artistic traditions continue to inspire contemporary creativity worldwide.The trade route mainly from india to Europe, Asia, indo pacific and  lately to Both the American Continents. Most of these countries having ancient ties with India from ancient times to the modern era.


KIAR CULTEREX Residency carries this spirit forward: connecting artists across cultures through art, dialogue, research and cultural exchange. Our mission is to revive meaningful global [ europe, asia, indo pacific and american continents ] connections and create new ones in the present context ; bringing the world together through the universal language of ART.

WHO CAN APPLY?


The residency welcomes emerging and established artists and cultural practitioners working across:

Painting · Drawing · Sculpture · Photography · Film · Video · Digital & New Media · Installation · Performance · Sound 

· Textile · Fashion · Writing · Poetry · Art History · Curatorial Practice · Interdisciplinary Practice


INDO- EUROPE : Artists from Europe are particularly encouraged to apply.

INDO- AMERICA :  Artists from both North and South America are encouraged to apply.

BUDDHA CIRCLE :  Artists from Buddhist countries and from Buddhist connection like south east Asia and central Asia are encouraged to apply.

[ Nepal, Bhutan, Sri Lanka, Myanmar, Thailand, Laos, Cambodia, Vietnam, China, Korea, Japan, Singapore, Malesia, Indonesia, Philippines, 

Kazakhstan, Uzbekistan, Turkmenistan, Magnolia ]


Note : The Selection is based on the strength of the artistic practice, seriousness of engagement and potential for meaningful cultural exchange.


Why Bhubaneswar?

Ancient Context. Contemporary Life.

Bhubaneswar — A Living Crossroads of Civilisation


1. Kalinga & the Spread of Buddhism

Bhubaneswar lies at the heart of ancient Kalinga. Nearby Dhauli, associated with the famous Kalinga War, marks Emperor Ashoka’s transformation and the beginning of Buddhism’s wider spread across Asia.


2. Udayagiri & Khandagiri — Ancient caves used  as hotels-rooms, build in 230 BC

Ancient rock-cut caves dating back to around the 2nd century BCE, associated with the Jain tradition and the reign of King Kharavela. Their carvings, inscriptions and architectural details offer a remarkable window into the spiritual, artistic and cultural life of ancient Kalinga.


3. Cuttack & Ancient Trade HUB of silk route

Neighbouring Cuttack was an important historic trading centre, known for silver filigree, textiles, silk, crafts and shipbuilding, connecting Odisha with wider maritime trade networks.


4. The Golden Triangle

Bhubaneswar forms the cultural gateway to the Bhubaneswar–Puri–Konark Golden Triangle, celebrated for extraordinary temple architecture, spirituality, heritage and coastline. Konark Sun Temple is a world  heritage site which is one of the seven wornders of INDIA .


5. Textiles, Crafts & Global Connections

Odisha preserves exceptionally rich textile and craft traditions, with historical connections extending to Southeast Asia, the Roman world and the colonial era.


6. Gateway to India’s Tribal Cultures

Bhubaneswar provides access to some of India's rich and diverse tribal communities, making the region an important place to explore indigenous art, crafts, traditions, knowledge systems and living tribal culture.


It is not simply a place to visit. It is a place to observe, question, research and create.


Odisha as an Artistic Landscape


Beyond Bhubaneswar are the cultural worlds of Puri, Konark, Chilika the biggest brakish water lake of asia, famous for migratory birds , 1000+ years old heritage heritage art village;Raghurajpur, more than 60 handmade textiles and handloom traditions making it the handmade textile capital of world, archaeological sites and diverse indigenous [ 60+ tribes ] and tribal cultural environments. Odisha is famous for its traditional dance forms, musics and various  ancient festivals like world famous Jagannath rath festival, jhammu jatra, dola jatra, raja festival [ festival of feminism and fertility ], Bali Jatra Asia's biggest open air festiival for trade conected to modern day Bali,Java,Sumatra in Indonesia. There was trade between Kalinga [ ancient name of Odisha ] with Rome, Greece, Egypt, Arab, Persia, Central asian countries in west to Srilnaka, Indonesia, Thailand, Vietnam, Malayesia, Singapore, Philipines, Taiwan, China, Korea and Japan in east. Kalinga was a big ocean force and have developed  world class technology for ship building with wood and coir rope and  with other local materials. What we call BAY OF BENGAL today; was wellknown as Kalinga Sagar [ Kalinga Sea ] before the Britisher's arrival to bengal.


These are not simply destinations. They are living contexts for artistic inquiry. They open questions around architecture, sculpture, material, craft, landscape, ecology, ritual, memory, community, identity, traditional knowledge and contemporary life.

A Residency Beyond the Studio


Artists can engage with Indian artists, craftspeople, traditional practitioners and communities through:


Artist-to-artist dialogue · Research · Studio exchange · Workshops · Knowledge-sharing · Talks · Open studios · Exhibitions · Screenings · Public engagement


The purpose is not to reproduce what is encountered. The purpose is to allow the encounter to influence the artist's thinking.

Globe ↔ India


This is a two-way cultural conversation. Artists from European, Indo pacific , american and countries from buddist circles; bring their practices and perspectives into dialogue with Indian artists and cultural practitioners, while Indian artists and audiences encounter new ideas and approaches from them.


Exchange · Dialogue · Research · Collaboration · Understanding


For Artists Who Want More

Open to emerging and established artists working across:


Painting · Drawing · Sculpture · Photography · Film · Video · Digital & New Media · Installation · Performance · Sound · Textile · Fashion · Writing · Poetry · Curatorial Practice · Art History · Interdisciplinary Practice


We are not looking for a particular style.

We are looking for artists with something to explore.

Come With Questions

You do not need a project about India or a predetermined outcome.

Come with your practice. Come with your curiosity. Come with your questions.

Allow the place, people and conversations to introduce new ones.


The Invitation

Come to India.

Live within a different cultural context.

Exchange ideas with artists.

Explore Odisha.

Give your practice space to evolve.


KIAR Cultural Exchange Residency

Bhubaneswar, Odisha, India



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